Richard and Mary’s Wedding- An adventuresinpictures Special

Saturday 7th April saw me work my first ever wedding shoot. It was for a wonderful couple, Richard and Mary, who I’ve spoken about in previous posts. In this special mikesadventuresinpictures I’ll be writing about my experience of the day.

Saturday starts at 7am. I’ve arranged for my friend Leighanna to help me with the day- driving, helping me set up and helping with all the kit. She’s also been issued a Samsung compact HD camera to help cover the shoot. All my kit (lenses, filters, tripod, flashgun, batteries, my pod, memory cards, everything) has been packed and repacked (and repacked) and everything else prepared the night before. A coffee and a shower and a shave follow before I sit down and run through the notes and shot lists again- they feel familiar which is good, it means it’s been going in!

Some time ago, I had a meeting with Mary; (Coffee with my Client) Mary and I came up with a shot list- a list of the photographs that she and Richard wanted as part of their wedding day. The information I had taken at the meeting along with the pre-wedding email sheet and the conversations I had with Mary, and her sister, Kate (who should really be a party planner), had formed the framework for the days shooting. I found my ‘what if’s’ list (what if ‘X’ goes wrong?) was more sensible and realistic by being better informed of the boundaries I was working within, and knowing what my clients were expecting of me. I’ve always thought of preparation (due to instances in the past where I have been unprepared and suffered because of it) as a key part of anything in life you want to achieve. Doing your prep is all the more important when undertaking somebodies wedding day. Also, the parts of the preparation that the couple are involved with- meetings, emails, conversations, visiting the venues, help to allow the couple to build their trust in you and creates a better working relationship.

Anyway, I have enough time to run through everything and quickly recheck the batteries to make sure they haven’t discharged overnight. It’s the silly things that can ruin the planning.

Leighanna arrives at 9.15am (early- I knew she’d be) and we head to McDonalds for breakfast, where I feel overdressed for a sausage and egg McMuffin in my shirt, tie and waistcoat.

By 10am we’ve left the restaurant and are on our way to the weddings ‘Mission Control’ in Thornbury. As we got out of the car, I took a deep breath and thought “this is it”. It was a mixture of excitement and pure fear!

We reached the door; camera in hand, we went in. Mary’s house was full of people all busily getting ready, getting their hair done, or if you were a boy- playing on the Nintendo 3DS. Mary was collecting her dress from her friends, so it was strange to be in a house full of people and not knowing anybody. Then I saw Mary’s sister, Kate and she whisked me round introducing me to everybody. Everybody was so welcoming. I headed off to find Mary and didn’t have to go far. She arrived at the end of the lane…

Mary arrives with Kizzy.

We headed back to Mary’s house where I began setting up individual shots of the various page boys, flower girls and bridesmaids using the f1.8 50mm lens; and taking more general documenting shots of people getting ready for the day using a combination of the 50mm and 18-55mm lens. I then moved on to more of the group shots- the maid of honor with the bridesmaids, and the page boys together. I also took shots of Mary getting ready, having her hair done etc. With the rest of the time I had, I went capturing detail shots, like clothes, shoes and of course Mary’s beautiful dress.

Mary's Dress

Mary’s Dress

As the time to leave got ever closer, more people began to arrive including Mary’s wonderful parents, so I took their picture and waited for Mary to leave the house to capture my final images at Richard and Mary’s House.

Mary leaves for the ceremony

Leighanna and I headed off to Yate Register Office, to capture more group shots of the guests arriving before Mary arrived herself.

Yate Register Office is a great building, and a lovely venue for a wedding ceremony.

Yate Register Office

Poole Court, Yate.

I did laps taking pictures of everybody in their family and friend groups and some longer more documentary style shots of everybody together meeting one another and conversing.  The outdoor shots were fairly easy to achieve. There was good natural light and coupled with using a fill-flash I was able to reduce the exposure time but still managed to have sharp and vibrant images.

Mary Arrives

Mary arrives for her wedding

Mary arrived and I took photographs of her with her bridesmaids while everybody was going in to the ceremony room. I could see my shot list in my head, with little ticks next to the shots. I made my way in to set up the camera for the ceremony shots. I set the tripod up to steady the camera only to find that there wasn’t quite enough room to operate it properly and not obscure the view of some of the guests and be in the way of the woman conducting the ceremony, so the only option I had was to go for it free hand.

Yate Register office also has a policy of no flash photography, which is perfectly acceptable and something that I had been sure to find out about prior to the wedding day. I knew that I would now have to shoot freehand. This was the first point in the day that I thought I might actually be sick!  I turned up the ISO setting, and turned on the anti-shake. Thankfully the room was pretty well lit and there was a lot of natural light coming in through the double bay windows. I knew the main thing was to keep as still as possible when I was pressing the shutter button.

The ceremony started at just after 1.30pm and it felt like it was over in about 30 seconds. It’s incredibly surprising how quickly time goes by when you are concentrating so hard, staying still and trying not to breathe!

Richard and Mary at their wedding ceremony

I took the shots I needed and as Mary and Richard moved to the other side of the table to sign the register, I fired off three more shots and moved out of the way so that their friends and family could move in to take their own shots of the couple with their own cameras, phones and video cameras.

Moving out of the way for guests to be able to take their own images

As the guests filled out into the courtyard, I took the opportunity to snatch a few more candid style shots of the guests and of the bride and groom, and a few of Mary’s Maid of Honour with her children who were also bridesmaids in the hall and on the staircase of the venue. I’ve become pretty comfortable with being able to change the settings on my camera quickly. So going from well lit ceremony hall to a hall that is a fair bit darker with a big leaded stained glass window backlighting everything was going to be a challenge. I upped the ISO a tiny bit more (mindful that I didn’t want too much noise on the images) and aimed the flash gun more at the people I was shooting, but so much so it would bleach everything out. It took a couple of shots before I found a suitable compromise between the amount of flash and the exposure time. Reviewing the images on the camera’s LCD screen, I knew that there would still be some areas that may require some dodging and burning in Photoshop.

I then made my way out into the courtyard to await the arrival of the newly married Richard and Mary.

Confetti

Introducing Mr & Mrs Robinson

I ran through the shot list and captured a few more images of the guests. Group shots are hugely difficult, trying to get everybody looking the same way at the same time, all looking happy, and there were a fair few misses. I got the shots I wanted regardless. Photographers are fairly determined bunch and will keep going until they get what they want. Persistence pays off, so long as you don’t reshoot too many times or people will start to get bored or distracted. Example below:

Distractions are everywhere!

And with that the ceremony shots drew to a close and Leighanna and I headed off to lunch. A double whammy of Starbucks and KFC, because that’s just how we roll!

At lunch I did a quick review of the shots I’d taken, just to check they were ok and to delete anything that wasn’t obviously useable. It also got me thinking about the post production of some of the images- crops, filters, retouching, black and white conversions etc.

After lunch, Leighanna and I headed back to Thornbury to the reception venue. The reception was held at the Porch House in Thornbury, which is a beautiful old building with very high ceilings, and exposed beams. We were there to cover the setting up of the reception and to help out with the actual setting up. I went round and captured the decorations and balloons, help the caterers bring in the food and helped the DJ bring in and set up her equipment, not really a photographers job but I do like to be helpful, and I wanted to contribute to the success of Richard and Mary’s special day. The DJ advised me that she has the biggest collection of karaoke songs in the south west, and that her daughter had just finished her photography degree. I like learning things about people too.

Two of the team setting up the reception venue

I took the opportunity between the reception being set up and the guests arriving to sit in Leighanna’s car and download all the images I had taken so far to the MacBook. It was a good chance to quickly review what I had done and it buoyed up my confidence to capture the reception party. It also freed up space on my memory card; I had several of all different sizes with me but you can never have enough memory or battery power, of which I also had a fully charged spare and a charger. It goes back to the ‘what if’ list.

As the guests began to arrive, I went round and took pictures of people talking to one another, drinking, posing and a few of the smaller ones dancing. When Richard and Mary arrived, I whisked them out to the garden of the church that adjoins the Porch House where we had a quick photo session of them together and a few shots where they were joined by Richards’ lovely mother, June.

Richard and Mary

We then headed back inside, where I went off to capture shots of some rather questionable dance moves. With the party in full swing, I continued doing laps of the reception, taking peoples pictures and talking to the guests. As the dance floor began to fill, I headed there to take a few more shots and couldn’t resist the chance to boogie on down for a bit. I can’t resist cheesy music!

Shortly before the cutting of the cake, Mary and Kate asked me to take a group shot of their family so we headed out to the foyer and I took a shot of their family and of ‘the grandchildren’, meaning Mary’s mother and fathers’ grandchildren. It’s only when you have somebodies family all together and looking at you, can you really see the level of family resemblance. If you had never met Mary’s family before, you would be able to tell they were all related just by walking in at that moment.

After the family shot we went back into the main hall for Richard and Mary’s first dance and to cut the cake. I fired off some more photographs and stayed on the dance floor to capture the rush of people ready to party.

Richard and Mary cut the cake

The party continued and later on in the evening, Richard made his speech to their guests. After the speech and as it got to 11 o’clock Leighanna and I decided to call it a day and head home. I didn’t realise how tired I was until I got into the car. It was a good tiredness though. One where you know you’ve worked hard and worked well. The excitement I had in me when I got home meant I didn’t actually go to bed until after 3am, but I actually had the best nights sleep I’ve had all year.

Although the taking of the pictures isn’t the end of the story.

For the last 5 weeks I have been working through the photographs in various stages. Initially to take out any shots that were duds or not workable. And then cataloging them and editing each one in Photoshop Elements 9 where necessary. As it goes, I’m pretty comfortable with PSE9 now, but I know that there is still more to learn in order to get the very most from the software and increase my skills so I’m looking at a college course to pick up the bits I might have missed. I figure it’s also good to go back over the basics once in a while to make sure you haven’t picked up too many bad habits.

Once the images had all been finished, it was time to present them in the correct way. At a previous meeting I had discussed with Mary about supplying her with a CD-ROM of the images from the day. I also constructed a photo movie on DVD for her. This took up a considerable amount of time, importing images, arranging the positioning and various movements of the image (Ken Burns), the soundtrack and the actual physical design of the DVD jackets and discs themselves.

I handed over my work to Richard and Mary on 12th May 2012 and they were so pleased with the results. Having happy clients is the best feeling in the world!

To be offered the chance to cover a wedding at such an early point in my career was both scary, exciting and an incredible learning curve. I am very thankful to Richard and Mary for giving me the opportunity and for trusting me with their special day. I was very aware that at these types of event that you only get one chance to get what you need. There are no second weddings! They were so laid back and had very realistic expectations of what they wanted from me, it was a hugely enjoyable experience.

Wedding photography is something that I now know that I enjoy, and the stress is completely worth it. I would like to do some more learning and some more training before I under take another one though.

I know Richard and Mary are happy with their final images and the DVD Photo movie that I edited and produced for them. It was an honour to work for them both and I would like to wish them every happiness for the future. Congratulations!

Richard and Mary have very kindly given me permission to use some of their shots on my blog post.

I have purposely used a selection of ‘non main’ images in order to respect the privacy of the couple and their guests.

Weddings, Chicks and Instagram

As my regular readers will know, I have spent the last few weeks preparing for my first wedding shoot. If you’re new here, then welcome! In the weeks leading up to the big day I was completely terrified, despite my entire support network and the bride herself telling me to chill! Personally, I find the stress and terror acts as a catalyst to try harder every time; and some of my best work has been produced under pressure. An example of this being my Illuminate Bath 2012 post, (which was very kindly written by James Giles).

So on Saturday 7th April, my (roped in) assistant Leighanna and I headed to McDonalds for breakfast before meeting up with Mary (the bride-to-be) at her house in Thornbury. I was trying not to show my fear when the door opened, and as it did, I felt all the stress just disappear. In credit to Mary, she is the most understanding and easy-going woman in the world- she puts you immediately at ease. So the photographer in me just took over and I began composing shots and chasing everybody round firing off shots. I don’t want to give too much away though as I am currently editing the wedding photographs so unfortunately, I won’t be sharing them in this post today. Once the post production is finished, I will show them to Mary and Richard and if they are happy with them then I might be allowed to post just a few here on mikesadventuresinpictures.

Anyway, at the same time as all this going on, a few days before the wedding I discovered Instagram for Android. It’s so simple, take a picture, add one of the 17 predefined filters and post/ share. As somebody who fiddles around with cameras and settings on a daily basis suddenly being able to just point, shoot, edit and upload an image in less than two minutes seems wonderfully liberating! I would recommend the app to anybody.

Being Easter, I couldn’t resist taking the following shots with it.

Man Down!

Now you know where those little chicks come from!

So really, that’s all there is this week. Every bit of free time I have at the moment I am using to edit the wedding photographs to get them to my clients as soon as possible. I am also aware that I have other bookings for family portraits waiting to be done, but thankfully my clients are so understanding that they’ve allowed me the time to finish the wedding shots fully first.

Hopefully in a few weeks I will be able to share some of these with you in another mikesadventuresinpictures special.

As always, thanks for reading, following, sharing, commenting and recommending me. I really do have great friends and followers!

My Facebook page can be found here.

Until next time…..

Learning Photoshop Elements 9

So this week it’s all about learning to edit with Photoshop Elements 9 a bit better. Every time I use PSE9 I find I learn a bit more and I’m at the stage now where I’m feeling pretty comfortable with it. For me it’s more about refining my skills and taking them forward. I remember several months ago now sitting in front of the MacBook and very nearly punching the screen through such was my frustration with learning layers, selections and opacity levels.

Thankfully, I took a deep breath, didn’t punch the screen through and persevered with it. The bits I struggled with I googled, and I discovered that twitter was like a goldmine, once you figured out who tweets good links that you can trust. Another excellent source of information is the Digital Photography School website which has loads of information about using your camera, how to’s and post production. It’s certainly worth a visit if you’ve never been there before, and I find myself visiting it regularly now; it’s one of the first places I go when I am trying something new, with information that can be trusted.

So, in between planning for Aprils’ wedding day shoot, I found some time to do a very quick shoot for my friends sister and her boyfriend. The equipment I used for this shoot was my trusty Sony D-SLR and the 49mm f1.8 portrait lens. My location was the local park at 4.30pm on a sunny afternoon.

Here is the original shot before I processed it in PSE9:

Before processing in PSE9

The composition is alright, although the main issue of Nicola having a wooden stake appearing from the top of her head is not ideal.

I opened the image in the RAW editor of PSE9 and increased the levels and exposure of the shot until I was happy. Then I opened the image in the PSE9 workspace to start the editing proper.

First off I recomposed the image to bring the couple together a bit more in the image. This proved to be quite difficult at first and Nicola repeatedly lost her left ear! After refining, mainly through trial and error I decided to recompose the shot anyway and then copied over Nicola’s left ear in a selection made from another open version of the image.

I then moved onto skin tone and blemishes and used the spot healing brush to tidy up the couples skin slightly and remove a few of those spots that we all get the second anybody thinks about pointing a camera at us, as well as whitening the teeth slightly but not so much as to look unnatural. I also had to use the clone brush to remove the bounce-back of the flash on the teeth and in the couples eyes.

The next job was to get rid of the lump of wood sticking out of the top of Nicola’s head. This was achieved with some fairly careful cloning of the sky areas surrounding this particular part of the image. With the most difficult section being around the top of Nicola’s head.

Once the offending structure was removed, the picture did look a little heavy on the right side, due to Laurence being quite a bit taller than Nicola and the wooden back of the seating. So I made a selection of the middle piece of wood in the image, copied it, dragged it over to the left hand side of the image and blended it in. I felt this helped to rebalance the image a bit.

Finally, I flattened all the new layers I had created (about 8 or 9 of them) and saved the image as a .jpeg to email to Nicola.

Here is the final finished image:

Final Image

I’m still riding the learning curve for all this, but I think that I am getting better each time and finding my confidence with photography. I hope you agree. As always though, I welcome any constructive criticism to help me become a better photographer.

 

You can follow me on twitter: @michaelpoulton

My Facebook page is here, and my Flickr Photostream here.

Thanks for reading.

 

Coffee with my client.

This week I had a meeting with a client that I will be doing the wedding photography for. We arranged to meet in Coffee #1 in Thornbury High Street. The actual coffee shop is lovely inside, considerably bigger than it looks with wonderful exposed brick walls, classic looking red leather sofas and chairs and a combination of bench seating and more traditional cafe-style wooden tables and chairs. I would highly recommend it for an informal meeting.

The meeting was also an opportunity to look around the choice of reception venue my client, Mary and her husband to-be, Richard, had picked. It’s called the Porch House, on Thornbury’s Castle Street, which is also a fantastic location. The main hall is a wonderful, high space; there are panelled rooms leading off from it and a large bar area with seating. The staff there were so professional, helpful and accommodating too.

Anyway, back to the meeting. Mary had bought along her little boy, Peter, with her. He will be one of three page boys at the wedding and he is absolutely adorable.

Peter b&w

Peter b&w

In between talking about the finer details of what Mary wants for her wedding, I thought it might be a good idea to have a little impromptu photo session not only to show Mary how I work and make her feel more at ease with me, but also to introduce Peter to having a strange man stick a camera in his face. I am hoping that this will help at the actual wedding as Peter will be more familiar with me and I think the more of the little guys I have on side, the better!

Mary & Peter b&w

Mary and her son, Peter

So, here are some of the shots I took on Friday. It was quite different to anything that I’ve done before as there is no direct pressure from my client to produce something great, just the pressure that I heap upon myself, which is far easier to internalise! They were all taken with my Sony 49mm f1.8 portrait lens and no flash was used. We were lucky to be sitting in the window of the coffee shop, and the cloudy day produced a nice even diffused light through the glass. Once Peter got used to me being there, he wouldn’t stop looking at the camera, and by the end of the shoot he was used to me being there.

Smiling

Peter smiling

Laughing

Peter laughing

Peter

Peter close up

The pictures have been edited using (as always) Photoshop Elements 9. Without describing every shot in detail, most have been adjusted within the camera RAW editor in PSE9. The black and white shots were achieved with a conversion also in the camera RAW editor. There have also been a few adjustments using the spot healing brush, and I have kept these to a minimum.

Overall from this latest session, I have found that I am finding my confidence more. I am finding it easier to direct people, and the main thing for me, is that I am understanding my camera more and more. It’s getting to the point now where I don’t have to concentrate on the overwhelming amount of functions that the D-SLR has or how to use them. Knowledge is beginning to stick and it’s a truly wonderful feeling.

I would also just like to add a thank-you to Mary for allowing me to use these photographs on my blog (and Facebook) page; and for choosing and putting her trust in me to cover her big day.

Don’t go chasing waterfalls…

Looking out of my window at Monday’s greyness; I’m finding it hard to believe that the pictures below were only taken yesterday.

As the sun was shining and there wasn’t a cloud in the sky, we decided to go and spend the day in one of Bristol’s amazing open spaces; Blaise Castle Estate in Henbury. It’s 650 acres of pure gorgeousness! There’s a gorge, a few small caves, a mill (Stratford Mill was moved brick by brick from the Chew Valley when the lake was flooded), some cottages, an adventure playground, a cafe, a museum in an 18th Century mansion house, an old dairy, a river (the Hazel Brook) and an ornamental castle-style folly amongst other things.

Anyway, I wanted to take some pictures of the great outdoors and experiment with some daytime slow shutter speeds, so below you will find a selection of shots that I took while out yesterday, although I am the first to admit that they have had some work done in Photoshop Elements 9.

Trees in black & white

original taken in colour at f7.1, exp 1/60, ISO 100 in RAW. 18-55mm lens with a CPL filter

I converted this shot into black and white using the RAW editor in PSE9; I upped the contrast and blacks considerably and increased the clarity by about 60%.

As we were walking around the woods, we could hear the sound of a waterfall. After about 15 minutes of balancing on logs to get across the stream we found where the sound was coming from. This was my opportunity to try some daytime slow shutter speed shots on a waterfall.

Waterfall

original taken at f20, exp 0.5" ISO 100 in RAW

Smokey Water

original taken at f20, exp 0.5" ISO 100 in RAW

The shots above are essentially the same photograph, just processed differently. I found the 0.5″ exposure to work well for me; the shorter exposures I tried didn’t give me the ‘smokey’ water effect that I wanted. The top waterfall shot was cropped in PSE9, and the saturation of the colours increased, as were the blacks and the contrast increased just slightly.

The photograph below the colour one was also cropped in PSE9, but I cropped tighter this time. It was then converted into black and white and again, the levels were increased to improve the details.

Waterfall in black & white

original taken at f5.6 exp 1/250, ISO 100 in RAW

I also tried the shot with a fairly standard shutter speed of 1/250. This was then edited in PSE9 in a similar manner to the black and white waterfall photograph above.

 

Tall Trees

taken at f5.6, exp 1/50 ISO 100 in RAW

This is a shot of what you see when you look up from the waterfall. It’s just breath taking, particularly as this is in a city. As I was taking this looking directly into the sun, I have had to adjust the levels slightly in PSE9, but not much; this is almost ‘as shot’.

Here are just a couple more that I took yesterday, that don’t really need much said about, one is a wooden cottage in the grounds that has unfortunately seen better days, and the other is of a tree that had great colour (that I then felt the need to increase the saturation of during editing for some reason!)

Wooden Cottage

original at f3.5, exp 1/20 ISO 100 in RAW. Edited in PSE9

Wooden Cottage

original at f3.5, exp 1/15, ISO 100 in RAW. Edited in PSE9.

Green Tree

original at ff2.8, exp 1/200 at ISO 100 in RAW. Edited using PSE9.

I learned a fair bit about shutter speeds with the waterfall shots, although my main piece of advice is regarding footwear- wear something suitable, or don’t go chasing waterfalls. My trainers squelched all the way home, but wet, cold feet and smelly trainers was a small price to pay for my shots!

Here is one final image I took quite some time ago of the castle-style folly on the hill in Blaise.

© Michael Poulton. Image edited using PSE9

The Wikipedia page for Blaise Castle Estate can be found here.

Thanks for stopping by and for taking the time to read my blog. As always I welcome feedback and comments. If you’d like to see more of my work visit my Flickr photostream here.

For my Facebook page, click here.

A bit of still life…

So for this weeks Adventures in Pictures I decided to have a mooch around my dear old Nan’s garden. She has quite an eclectic taste in garden ornaments to say the least so I can normally be sure to find something a bit different to take photographs of. On this occasion, I found three things that caught my eye, although two of them don’t count as garden ornaments.

First off I found the wonderful shape, colour and tessellation of this:

Bubblewrap

If you haven’t worked it out, it’s bubblewrap. A massive sheet of bubble wrap that Nan is currently using to stop the elements getting to her Bar-B-Q. I was drawn to how the wrap looked with the colours of the oxidising metal underneath it. I have done a little post-production in Photoshop Elements 9 (PSE9), such as increasing the contrast of the image and increasing the saturation of the colours a little. The original shot was take at f1.8, exp 1/1250, ISO 100 in RAW. The flash was not fired and the image was taken free hand.

Secondly I found this little treehouse:

Tree-house Livin'

I’m not sure what purpose it has really but thought it was a cute little thing, and I hadn’t really seen this sort of thing before. I did make me think how awesome living in a tree house could be, but thats just the child in me!

The original shot was taken at f1.8, exp 1/200 at ISO100. Again the shot was taken free hand and the flash was not fired. It has been slightly adjusted in PSE9 using a levels adjustment.

Finally, there was this:

Mop-head

A lone mop head against a brick wall. I can’t quite figure why I liked this so much. But like it I do. Outside in the cold and rain and up the wrong way, it makes me feel like the mop has done something wrong and has been banished from the house.

The shot was taken at f1.8, exp 1/1250 at ISO100. Edited in PSE9,I have converted to black and white and I have upped the contrast to 100%. A grain filter was then added and finally, the black frame.

I hope that I come across a few more interesting things this week that I can grab a shot of and share with you next week.

Thanks for reading.

Illuminate Bath 2012

A part of 'Clockwork City' by Greyworld

This weeks Adventures in Pictures is a bit of a special one for a few reasons- first off, it’s a night shoot with more than one image; second, it’s from the Illuminate Bath 2012 event; thirdly there’s a video I produced to accompany the post, and fourthly because I’m handing the writing over to somebody that can string a sentence together for a change- James Giles (who also helped film the video).

Just before I do, I found this set of pictures incredibly challenging: night time, a large public street event, fast moving lights, the tripod and limited view points. The shots this time aren’t great but it was far more of a learning curve for me. Being able to operate a camera at a public event at night is tricky! I didn’t use the Auto mode once though, so all the shots are ones that I have set the camera up myself. Of course they have needed some editing but as an overall exercise I am just about satisfied with the majority of them, but I know that I can improve with more practice and learning. The video was also fun to play about with. Illuminate Bath 2012 itself was a fantastic event and I would highly recommend it. I hope they do it again next year.

As always there are more of my photos at: www.flickr.com/photos/michaelpoulton

Anyway, over to James…

 

From the 25th to 28th of January, Bath hosted its’ second annual Illuminate Bath exhibition, an art installation that brightened up the city centre in a festival of light. Created in collaboration with local and international artists, Bath Spa University students and Bath school children as part of London 2012 Cultural Olympiad, its’ aim was to inspire creativity, imagination and enthusiasm for learning, particularly in young people.

Pulse

Pulse

There were seven artworks spread across the centre, many of them interactive and all individually engaging. The first to grab your attention as you arrive at the corner of Stall Street and Bath Street was Pulse, by artist Rolf Pilarsky and students from the university. A large crowd had gathered around the square, enraptured by the vibrantly coloured, rapidly changing images being projected against the wall of a grand Georgian building opposite the Roman Baths. The images formed a series of well crafted short films about the Olympics, and inspired by Baths architecture.

Live Drawing & Creative Writing

On the wall of the Roman Baths themselves was another massive vivid projection, Live Drawing and Creative Writing created by various artists and writers from the university. This piece would be different each evening, as the work is created live by interaction between the writers, artists and the audience. On the Saturday we visited, the display consisted of mostly bold, surreal tribal-style cartoons, although it wasn’t always easy to keep track of what they were about.

Part of 'Clockwork City' by Greyworld

Another exhibit that encouraged interaction was Clockwork City, by Greyworld (known for their playful public art in urban areas). A few innocuous, everyday items were turned into magical displays of light and sound, at the turn of a large key – a phone-box was transformed into a psychedelic lava-lamp, a set of pillars became a blur of strobe lights and flustering cloth (which both adults and kids ran gleefully through) and two grates in the pavement emitted smoke and eerie mood lighting. Its’ intent was to make us look more closely at the details in our surrounding, and it achieved that admirably.

Head, Bodies, Legs was created by animator Petra Freeman, film-maker Tim Rolt and 50 children and staff from St Saviour’s Junior School. Together they made two short films, ‘The Important Message’ and ‘Let The Games Commence’, which are projected in flick-book style and show the unrestrained imagination of children at their best – original, wildly colourful and a tad bizarre.

Overall, I felt the festival was both visually arresting and inspiring, and on a cold dull evening, these works filled it with light, warmth and colour. Here’s hoping the festival returns for a third year.

Unfortunately due to our visiting on a Saturday, we were not able to see all the advertised exhibits, including the amazing looking Frequency. For more information on this and the other exhibits, please click here.

Neon Edit

 

So off I went into Clifton on Friday in the dark and the drizzle, armed with just my camera and a borrowed FirstMonth. I must admit that I wasn’t holding out much hope of getting anything that I thought I could show anybody. I fired off a few shots of the bridge with different shutter speeds but couldn’t take the picture I wanted. I found that the 18-55mm lens I was using just wouldn’t let me get the whole of the shot in. It’s focal range just isn’t good enough! In the end however, after changing subject, I was pleasantly surprised that I had five images that I liked or rather thought I could tweak enough to be acceptable.

The shot above is cropped from a larger image taken of the Avon Gorge and the hotel of the same name from the Clifton Suspension Bridge.

I have run it through Photoshop Elements 9, first of all increasing the contrast of the image. I then cropped it down to just the hotel and road along side it. Finally I added a Neon filter effect to the image to get the effect shown above. (It reminds me of an 80′s wall poster.) I find that I am beginning to understand how PSE9 works more and more which is a great feeling. I remember the fear I had of it when I first bought it as it looked so complicated but the more I use it and the more I play around on it the more I find I understand it. The same is true of using my camera- the more I use it, the more comfortable I am with it and hopefully this is reflected in my pictures. (You can see more of my previous shots on my Flickr page here)

As they say, practice makes perfect and I’ve got a lot of practising to do! Thankfully, it’s something hugely enjoyable so the practice isn’t so bad when you enjoy it. I may post some of the other shots from my Clifton adventure later in the week.

Original shot taken at exp 0.5″, F5 with an ISO400. Using an 18-55mm Sony Lens with UV filter.

Elf feet

These elf feet are attached to a nice young lady called Paige who was recently helping a choir of children from Littlemead School in Bristol. They were performing a selection of carols and Christmas songs at a community Christmas fayre organised by co-ordinator of Friends of Dunmail Fields, Ronda Golding-Brace. Ronda has been leading the fight to stop the sale and redevelopment of Dunmail fields for housing and a possible travellers site, and turn the fields into green, open and managed community space and facilities.

The event was great and it was so nice to see so many local people come and join in the singing and festivities. We were also joined by Charlotte Leslie MP and the Lord Mayor and Lady Mayoress of Bristol.

The image above has been edited in Photoshop Elements 9. The colour saturation has been increased, a lomo camera-style effect has been added as well as a vignette.

Original image shot at F9, ISO 100, exp 1/80.

The Friends of Dunmail Fields Facebook page can be found here: http://www.facebook.com/people/Friendsof-Dumail-Fields/100002745741130

Hidden Kate


 

This is a shot of my friend Kate, taken on our recent adventure to Bath. I like this photograph a lot even though it is flawed. Kate used it as her Facebook profile picture and people really liked it too. People who know Kate, know that she is not a shy person; as a photographer she is exactly what you want. And she can take direction. And she is honestly a total joy to work with. Kate also has the most beautiful expressive eye area, which a lot of people first miss; she has a big and infectious personality, and you get swept away with that before you get time to notice anything else! As much as I like the most obvious parts of this picture: framing the beauty of Kate’s eyes with her scarf, the expression in her eyes, the angle of her eyebrow, the contrast of light and dark; it is also seeing an image the opposite of what Kate is like in the real world that make this image appealing to me; she isn’t hidden or shy or particularly mysterious at all.

 

As I have said though, this shot is flawed. On a small screen the image looks fairly good. It’s only when you view it in a larger size the flaw becomes glaringly obvious; it’s not in focus. It’s kind of rule that unless you meant to do it or are being arty, then things should really be in focus. Part of me is angry for not realising this when I reviewed the shot on the screen of my camera but then again it looked in focus on the camera screen at the time.

 

I figure that the important thing is to learn from my mistakes- and what have I learned from this one? Well, two things really. The first is that when reviewing images on the screen on my camera to make sure that I zoom in, even just a bit, to make sure that it’s sharp where I need it to be; and secondly, to make sure the autofocus dot is illuminated on the subjects eye that is nearest the camera when I’m actually taking the photograph. Apparently, this helps to trick the eye/ mind into seeing the rest of the image as clear and sharp. Although thinking it about it, I should perhaps be using the manual focus on the lens in the first place.

 

I am planning to reshoot this picture, I know that I can get it right, there are other things I would like to tweak with the composition that are too numerous to go into but a reshoot will also give me the opportunity to do that.

 

So it would turn out that even as the one taking the shots; things aren’t always as they would appear. And that that next time I have to pay attention and look a bit harder.

 

Shot in Aperture Priority in Black & White, f1.8, exp. 1/10 ISO100.

Sony 50mm f1.8 SAM lens.

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